WT2 Q2 (Pygmalion)
The sample critical response (written task 2) presented on this page was written after studying Pygmalion, a play by George Bernard Shaw, which was written in 1912. This work is very versatile and lends itself well to the English A: Language and Literature course in general. Culture, context, language issues and gender are all important to understanding the text. The student demonstrates an understanding of these ideas in his written task 2 below.
For those who are not familiar with Pygmalion an extract from the play has been provided below. 'The gentleman' is Colonel Pickering, 'the note taker' is Henry Higgins, and 'the flower girl' is Eliza Doolittle.
The student answers the question: "If the text had been written in a different time or place, for a different audience, how and why might it be different?" The student claims that Shaw's message is still relevant in modern day London. He argues that, with a few changes, the text could be placed in London's Canary Riverside Estate with an African migrant worker playing the role of Eliza Doolittle.
Before reading the student's work or the examiner's comments, be sure to read the assessment criteria for written task 2, so that you know what to look for. Compare your marks with the examiner's.
Remember: The critical response is about a text, or primary source that has been studied in class. For a question like this one, "If the text had been written in a different time or place, for a different audience, how and why might it be different?', it is tempting to write about a hypothetical text. You may want to write 'It could be written this way' or 'It might be like this...' But you must explain 'why' it might be different based on your understanding of the primary source. This is what is being tested.
Primary source
Pygmalion
Act I, scene 1
George Bernard Shaw
1912
THE NOTE TAKER: Simply phonetics. The science of speech. That's my profession; also my hobby. Happy is the manwho can make a living by his hobby! You can spot an Irishman or a Yorkshireman by his brogue. I can place any man within six miles. I can place him within two miles in London. Sometimes within two streets.
THE FLOWER GIRL: Ought to be ashamed of himself, unmanly coward!
THE GENTLEMAN: But is there a living in that?
THE NOTE TAKER: Oh yes. Quite a fat one. This is an age of upstarts. Men begin in Kentish Town with 80 pounds a year, and end in Park Lane with a hundred thousand. They want to drop Kentish Town; but they give themselves away every time they open their mouths. Now I can teach them—
THE FLOWER GIRL: Let him mind his own business and leave a poor girl—
THE NOTE TAKER: [explosively] Woman: cease this detestable boohooing instantly; or else seek the shelter of some other place of worship.
THE FLOWER GIRL: [with feeble defiance] I've a right to be here if I like, same as you.
THE NOTE TAKER: A woman who utters such depressing and disgusting sounds has no right to be anywhere—no right to live. Remember that you are a human being with a soul and the divine gift of articulate speech: that your native language is the language of Shakespeare and Milton and The Bible; and don't sit there crooning like a bilious pigeon.
THE FLOWER GIRL: [quite overwhelmed, and looking up at him in mingled wonder and deprecation without daring to raise her head] Ah—ah— ah—ow—ow—oo!
THE NOTE TAKER: [whipping out his book] Heavens! what a sound! [He writes; then holds out the book and reads, reproducing her vowels exactly] Ah—ah—ah—ow—ow—ow—oo!
THE FLOWER GIRL: [tickled by the performance, and laughing in spite of herself] Garn!
THE NOTE TAKER: You see this creature with her kerbstone English: the English that will keep her in the gutter to the end of her days. Well, sir, in three months I could pass that girl off as a duchess at an ambassador's garden party. I could even get her a place as lady's maid or shop assistant, which requires better English. That's the sort of thing I do for commercial millionaires. And on the profits of it I do genuine scientific work in phonetics, and a little as a poet on Miltonic lines.
THE GENTLEMAN: I am myself a student of Indian dialects; and—
THE NOTE TAKER: [eagerly] Are you? Do you know Colonel Pickering, the author of Spoken Sanscrit?
THE GENTLEMAN: I am Colonel Pickering. Who are you?
THE NOTE TAKER: Henry Higgins, author of Higgins's Universal Alphabet.
PICKERING: [with enthusiasm] I came from India to meet you.
HIGGINS: I was going to India to meet you.
PICKERING: Where do you live?
HIGGINS: 27A Wimpole Street. Come and see me tomorrow.
PICKERING: I'm at the Carlton. Come with me now and let's have a jaw over some supper.
HIGGINS: Right you are.
THE FLOWER GIRL: [to Pickering, as he passes her] Buy a flower, kind gentleman. I'm short for my lodging.
PICKERING: I really haven't any change. I'm sorry [he goes away].
HIGGINS: [shocked at girl's mendacity] Liar. You said you could change half-a-crown.
THE FLOWER GIRL: [rising in desperation] You ought to be stuffed with nails, you ought. [Flinging the basket at his feet]Take the whole blooming basket for sixpence.
Sample critical response
Sample written task 2 Question 2 (Pygmalion)
Outline
Prescribed question: "If the text had been written in a different time or place, for a different audience how and why might it be different?"
Title of the text for analysis: Pygmalion
Part of the course to which the task refers: Part 3 - Literature: text and context
My critical response will:
- Explore the importance of setting in Pygmalion. Explain why modern day London is still a relevant backdrop for this play.
- Comment on the position of women in 1912 and the importance of marriage both then and now.
- Comment on the Shaw's characters and the story's plot. How would they be different today?
- Conclude by stating that Shaw's intentions of criticizing gender and class differences are still relevant today.
Written task 2
The myth of Pygmalion has been told for centuries. The notion of a sculptor falling in love with his sculpture and wanting it to come to life is timeless, as we see in the Italian children’s story, Pinocchio, William Shakespeare’s The Winter Tale or Hollywood productions, such as Pretty Woman. In 1912, George Bernard Shaw, wrote his version of the Greek myth, which became the 1964 musical My Fair Lady. Shaw’s play focused on greater social issues of his time, such as the rise of women’s rights and the growing differences between social classes. The internal context of his play, which is set in London in 1912, starring a chauvinist, wealthy bachelor and poor but ambitious flower girl, is meant to comment on the time and place in which Shaw lived and criticize the very audience that came to see his play. If Shaw were alive and writing playscripts today, many of the same issues would be relevant. This essay will examine how the setting, characters and plot of George Bernard Shaw’s Pygmalion would be similar and different, if it were written today.
Understanding the setting of the play, Pygmalion, is important to understanding its themes. The first scene takes place in Covent Garden, where the ruling elite visit the opera house and the poor sell their vegetables at the market. Here is where Eliza Doolittle meets Professor Henry Higgins, and he suggests that he could turn her from a ‘squashed cabbaged leaf’ into a ‘princess’ by teaching her how to speak English properly. Today there are neighborhoods in London, such as Canary Riverside, where the affluent dine out and migrant workers busk for change. One could imagine how an immigrant from a former British colony such as Nigeria or Jamaica, with a strong accent might be forced to sell fake designer bags on the black market. In fact, in today’s world, where many companies have a hiring policy of positive discrimination, you could imagine how a beautiful, African girl could picked off the streets and hired as a sales assistant in a designer fashion store, if she promised to do something about her accent. After all, people still have prejudices against certain accents today, just as they had in 1912.
If we are to set the story in modern day London, we must also understand the importance of Pygmalion’s plot and characters. In the play, Henry Higgins is a proud bachelor, who claims no need for female support in his life. He trains Eliza to speak the Queen’s English for his own selfish reason: he wants to win his bet with Colonel Pickering. For Eliza, however, there is more at stake than Higgins’ bet. She wants to advance her position in society and own her own flower shop. After she wins Higgins’ bet, she realizes that he does not respect her for who she is: ambitious, clever and strong. Because he is too proud to express his gratitude and feelings for her, she leaves him for Freddy, a rather shallow but love-stricken gentleman. For a woman in 1912 there were not many choices or career paths. If a gentleman asked you to marry him, as Shaw explains in the epilogue, you did not have much choice. Eliza marries Freddy so that she can enjoy economic security, drive in taxis and eat chocolates, but this comes at a cost: She must give up her dream of owning a flower shop. Shaw’s message is rather critical of marriage and class, as institutions that prevent people from fulfilling their potential.
Although the position of women has changed enormously in the past 100 years, many women today still marry for financial reasons. Chances are slim that our modern day Eliza Doolittle from Africa would settle for a poor migrant worker after becoming accustomed to the luxuries of the fashion world. In fact if we are to continue in Shaw’s spirit and write another rags-to-riches story, our modern day Eliza would have to pay for her financial success. Like Eliza, she would feel very disillusioned when discovering that she was only part of another man’s bet or a company’s ‘equal opportunity’ policy. She would quickly discover the stress of meeting sales targets, the weariness of working overtime and the ingratitude of working for a large corporation. Unfortunately, the chances of a young African woman owning her own shop in London are still quite slim to this day.
All in all, George Bernard Shaw hit on some timeless themes in his rendition of the Pygmalion story, which could easily be translated into modern day London, where people still discriminate on the basis of gender, accent and race. In the play, Eliza says ‘the difference between a lady and a flower girl is not how she behaves, but how she is treated.’ As far as treating people with respect, Shaw’s message is still relevant today.
Examiner's comments
Criterion A - Outline - 2 marks
The outline clearly states the focus of the task.
2 out of 2 - This outline gives a good overview of what can be expected in the task. Greater implications of the question are explored in relation to the text.
Criterion B - Response to question - 8 marks
The student explores all of the implications of the prescribed question chosen. The critical response must be focused on and relevant to the prescribed question. Furthermore, the response is supported by well chosen examples from the text(s).
6 out of 8 - The question is answered thoroughly in this essay. 'How' might Pygmalion be different today? The student introduces race as a social issue that is relevant in today's context. 'Why' might it be different? The student explains that in order to be true to Shaw's intentions, the story should still be about respect and the struggle to achieve self-fulfillment in a society that discriminates. There is constant reference to the primary source, Pygmalion, that justify the student's claims.
Criterion C - Organization and argument - 5 marks
The response must be well organized and effectively structured in order to score top marks for this criterion. The response should make a case and develop it thoroughly.
5 out of 5 - The main argument is that Shaw's message is still relevant today. This has been developed by looking at the setting, plot and characters from the play. The student places these in a modern context, supporting arguments with references to the original work.
Criterion D - Language - 5 marks
The response must be written effectively and accurately. Students should use an academic register and strong style.
5 out of 5 - The language of this essay is very accurate and concise. There is good use of vocabulary and parallel structures.